In the spring of 2004, the Denver Art Museum opened the largest exhibition of Mexican colonial painting ever assembled outside of Mexico. It included sixty masterpieces from public and private collections in Europe, Mexico, and the United States. This catalogue of the exhibit provides a much-needed basic yet comprehensive text on the subject. The paintings featured in this fully illustrated volume reflect Aztec traditions, imported Asian arts, and artistic styles from various regions of Spain and its territories. They ...
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In the spring of 2004, the Denver Art Museum opened the largest exhibition of Mexican colonial painting ever assembled outside of Mexico. It included sixty masterpieces from public and private collections in Europe, Mexico, and the United States. This catalogue of the exhibit provides a much-needed basic yet comprehensive text on the subject. The paintings featured in this fully illustrated volume reflect Aztec traditions, imported Asian arts, and artistic styles from various regions of Spain and its territories. They depict the rich diversity of people and cultures in Mexico during this period and have been selected to demonstrate the complexity of Mexican colonial art and society. the field today, and they bring fresh insights and concepts to these fascinating and beautiful works of art. Many of the stylistic traditions found in Mexican colonial painting have their roots in the artistic currents of the early modern era, such as the latent maniera of Michelangelo and his followers, the tenebrism of Caravaggio, the classicism of the Carracci school, and the full-blown baroque of Rubens. Many of these imported artistic traditions were creatively assimilated and altered to include distinctive American and Asian characteristics and iconography that resulted in an art of the New World. The contributors discuss these artistic innovations and also draw analogies to the contemporary colonial experience in the United States.
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Fine in Fine jacket. Book. Folio-over 12-15" tall. With many illustrations in color, several in black & white, a bibliography and index. 327 pages. Folio. Hardcover, bound in light blue cloth. In a dust jacket. Fine/Fine.
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VG. Binding solid, pages crisp and clean, no markings found. Dust jacket bright and shiny with light scuffs and dents, one dent to boards also. Extremities lightly bumped with minimal tip wear. No expedited or international shipping, oversize.
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VG (Boards have light edgewear/toning/bumping; interior is clean; binding is solid. ). VG-(DJ has light edgewear/scuffing/smudging; there is a sticker from the previous owner on the top corner of front. ) Green cloth with color illustrated dustjacket. 327 pp. 163 mostly color illustrations. Catalogue of exhibition held at the Denver Art Museum, April-July 2004. Includes an extensive bibliography and index.
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Fine Condition in Fine Condition jacket. Book 328 pages with 163 illustrations most in color. Minor rubbing and wear to the dustjacket cover now protected with a Mylar cover. Foreword by Sari Bermúdez and Lewis I. Sharp. Published on the occasion of the exhibition organized by the Denver Art Museum, Denver CO April 3-July 25, 2004. References Cited. Notes and Index.
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