The name Niccolò Paganini almost instantly conjures up an image of the quintessential virtuoso. The composition most commonly associated with his name is the set of 24 Caprices, which are undeniable demonstrations of sheer technique and prowess on the violin. However, the violin concertos are not so entirely dedicated to dazzling audiences with almost unbelievable feats of extended techniques. Rather, they juxtapose moments of technically showing off with opportunities for the soloist to show off musically as well. ...
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The name Niccolò Paganini almost instantly conjures up an image of the quintessential virtuoso. The composition most commonly associated with his name is the set of 24 Caprices, which are undeniable demonstrations of sheer technique and prowess on the violin. However, the violin concertos are not so entirely dedicated to dazzling audiences with almost unbelievable feats of extended techniques. Rather, they juxtapose moments of technically showing off with opportunities for the soloist to show off musically as well. Violinist Henryk Szeryng is an artist quite adept at delivering on these changing demands. The virtuosic elements of the concertos are tossed off with apparent ease; just as effortless are the extensive lyrical passages that Szeryng gives almost a vocal quality along with his highly recognizable dark, rich tone. The orchestra part is much more than a mere accompaniment; extended tutti passages give the London Symphony Orchestra opportunities to be enjoyed just as much as Szeryng. Presented...
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