At the turn of the 20th century, the Vienna Secession shook the worlds of art and design, breaking the rigid constraints of an esthetic dominated by slavish emulation of prior styles. Nowhere is this paradigm shift better exemplified than in the works of the two Austrian creators featured here. Architect Otto Wagner (1841-1918) famously rejected the eclectic imitation and combination of historical styles that had dominated European architecture, advocating instead constructions aware of modern materials, modern needs, and ...
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At the turn of the 20th century, the Vienna Secession shook the worlds of art and design, breaking the rigid constraints of an esthetic dominated by slavish emulation of prior styles. Nowhere is this paradigm shift better exemplified than in the works of the two Austrian creators featured here. Architect Otto Wagner (1841-1918) famously rejected the eclectic imitation and combination of historical styles that had dominated European architecture, advocating instead constructions aware of modern materials, modern needs, and modern society. Painter Gustav Klimt (1862-1918) broke with an academic art style to develop an intensely personal style favoring fluid lines, bold colors, provocative imagery, and diverse media. Otto Wagner/Gustav Klimt, the third title in the Duets series, brings together the work of these two artists in order to present a rich comparative study. Essentially three volumes in one, a section on each artist presents a brief biography and an examination of some major works, with a third section that compares the images and ideas of the two artists. Art and architecture lovers will treasure this book for years to come.
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Very good in Very good jacket. The format is approximately 6.75 inches by 9 inches. 95, [1] pages. Illustrated endpapers. Illustrations (some in color). Biography. Works. Images. This is one of the Duets series. Gustav Klimt (14 July 1862-6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art. He was a successful painter of architectural decorations. He began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Otto Koloman Wagner (13 July 1841-11 April 1918) was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressing their function. At the turn of the 20th century, the Vienna Secession shook the worlds of art and design, breaking the rigid constraints of an esthetic dominated by slavish emulation of prior styles. Nowhere is this paradigm shift better exemplified than in the works of the two Austrian creators featured here. Architect Otto Wagner (1841-1918) famously rejected the eclectic imitation and combination of historical styles that had dominated European architecture, advocating instead constructions aware of modern materials, modern needs, and modern society. Painter Gustav Klimt (1862-1918) broke with an academic art style to develop an intensely personal style favoring fluid lines, bold colors, provocative imagery, and diverse media. Otto Wagner/Gustav Klimt, the third title in the Duets series, brings together the work of these two artists in order to present a rich comparative study. Essentially three volumes in one, a section on each artist presents a brief biography and an examination of some major works, with a third section that compares the images and ideas of the two artists. Art and architecture lovers will treasure this book for years to come.
