The Kentucky Colonels have achieved almost legendary status in bluegrass history, though they were together for just over three years in the mid-'60s and were poorly documented on record at that time. Fortunately, Rounder began issuing a number of compilation LPs of live material in the early '70s made from nonprofessional recordings by their fans. Clarence White, the acclaimed guitarist, is primarily heard as a rhythm player versus a soloist, though "Durham's Bull" and "Reno Ride" (recorded in a private home, with Sandy ...
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The Kentucky Colonels have achieved almost legendary status in bluegrass history, though they were together for just over three years in the mid-'60s and were poorly documented on record at that time. Fortunately, Rounder began issuing a number of compilation LPs of live material in the early '70s made from nonprofessional recordings by their fans. Clarence White, the acclaimed guitarist, is primarily heard as a rhythm player versus a soloist, though "Durham's Bull" and "Reno Ride" (recorded in a private home, with Sandy Rothman, who was not a member of the group, playing rhythm guitar) as well as a live "Flop Eared Mule" focus on his tremendous abilities as a soloist. But the rest of the band is full of terrific instrumentalists. Roland White's blazing mandolin in "John Hardy" and "Bluegrass Breakdown," along with his strong lead vocals on "Used to Be," are memorable. Fiddler Scott Stoneman, a champion on his instrument, was only with the band for a few months, but made a major impact with his playing, adding a touch of humor with his occasional asides to the audience. Banjo player Billy Ray Latham provides the perfect instrumental foil for Roland in the uptempo numbers. Considering the conditions under which these recordings were made, the sound quality is outstanding. It is surprising that Rounder hasn't gotten around to reissuing this valuable bluegrass album on CD. ~ Ken Dryden, Rovi
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