This session presented Taylor working alternately with a large group and intimate unit, recording two pieces on April 12. The opening 48-minute dialogue included the high-register wailing of tenor saxophonists Peter Brotzmann and Frank Wright and Taylor's undulating answering lines and sprawling solos. The second piece was a bit shorter (27 minutes), but no less ambitious, with shifting moods, themes and tempos. As usual, Taylor's music wasn't for the squeamish or those who desire nicely ordered, predictable material. It ...
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This session presented Taylor working alternately with a large group and intimate unit, recording two pieces on April 12. The opening 48-minute dialogue included the high-register wailing of tenor saxophonists Peter Brotzmann and Frank Wright and Taylor's undulating answering lines and sprawling solos. The second piece was a bit shorter (27 minutes), but no less ambitious, with shifting moods, themes and tempos. As usual, Taylor's music wasn't for the squeamish or those who desire nicely ordered, predictable material. It required intense concentration and attention from both performers and audience. ~ Ron Wynn, Rovi
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