This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other ...
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Seller's Description:
None. Good. A study of colour prints from English artists by Malcolm C. Salaman. Illustrated throughout with forty tipped-in coloured plates. Including works from Angelica Kauffman, George Romney, George Morland and Joshua Reynolds. Malcolm Charles Salaman (born London 6 September 1855, died London 22 January 1940) was an English author, journalist and critic. In a purple cloth binding. Externally, sound, though with some rubbing, bumping and marks. Internally, generally firmly bound although strained in places. Ink signature to front free-endpaper. Pages are bright and quite clean, with just a few instances of foxing. Good.
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Seller's Description:
Very good. 40 mounted color plates by Bartolozzi, Schiavonetti, Tomkins, Vendramini, and others. 4to, red 1/2 leather, g.t. London: Studio, 1909. Very good. Lucas, p.98.
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Seller's Description:
Good; Collectible. This is the H-U-G-E OVERSIZED (it barely fit in my scanner! ) softcover only stated Studio Edition from 1909 (gasp! ). Other than the front page is detached and some pages have small dog-ears (no pig's feet! ) from storage, the pages are very good and the prints are in excellent condition. There are no rips, tears, etc. (see photo). **Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe.
