The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. Towards the mid-seventeenth century the Japanese States were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position required them, soared. At the same time, painters and artists were flourishing and the early eighteenth century saw the rise in popularity and importance of printmaking. While there were ...
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The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. Towards the mid-seventeenth century the Japanese States were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position required them, soared. At the same time, painters and artists were flourishing and the early eighteenth century saw the rise in popularity and importance of printmaking. While there were dominant styles and trends throughout the composite Japanese polity, the 'Tenka', there were also those peculiar to specific regions: most striking was the difference between the cultural and artistic styles of the 'Kanto' (Kyoto) and those of the 'Kamigata' (Osaka and Edo). In Obtaining Images, Timon Screech introduces the reader not only to important artists and their work, but also to the intellectual issues and concepts surrounding the production and consumption of art in Japan at that time. Rather than looking at art in the Edo period through the lens of European art, Screech contextualizes the making and use of painting and prints, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them. The author argues that different imperatives are at work in the art of different traditions, and firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction to the student and general reader alike.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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New. This book introduces the reader to important artists and their work, but also to the intellectual issues and concepts surrounding the production, consumption and display of art in Japan in the Edo period. Num Pages: 384 pages, 245 illustrations, 180 in colour. BIC Classification: 1FPJ; ACBP. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 195 x 253 x 26. Weight in Grams: 1212. 2017. Reprint. Paperback.....We ship daily from our Bookshop.
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Fine. Contains: Unspecified. Includes unspecified. Intended for college/higher education audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Contains: Unspecified. Includes unspecified. Intended for college/higher education audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
