Avison's new volume is a lyrical tribute to a created order suffused with a holy energy--a vitality inaccessible to the statisticians, the engineers, the corporate mandarins. It is not, however, a whimsical, Pollyanish ecstacy that sustains her, but a gritty religious vision grounded in our desperate humanity, the 'roped-in, rotten, / welted and swollen, sick, / tempter-take-all/ maggot- ripe end of our fall' ('He himself suffered when he was tempted'), but redeemed, generously redeemed. (Michael Higgins)
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Avison's new volume is a lyrical tribute to a created order suffused with a holy energy--a vitality inaccessible to the statisticians, the engineers, the corporate mandarins. It is not, however, a whimsical, Pollyanish ecstacy that sustains her, but a gritty religious vision grounded in our desperate humanity, the 'roped-in, rotten, / welted and swollen, sick, / tempter-take-all/ maggot- ripe end of our fall' ('He himself suffered when he was tempted'), but redeemed, generously redeemed. (Michael Higgins)
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Seller's Description:
Very Good. Paperback. Pages are clean and unmarked. 2 pages were dog-eared. Covers show very minor shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day!
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Seller's Description:
Good in None Issued jacket. 185 pages. Book is in general good condition. There is some light reading wear present, but still a presentable copy. A Book Filled Of Canadian Poetry...
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Seller's Description:
SIGNED. Cid Corman, editor of Origin roughly 1950-2003, almost always read a book with pen in hand. Cid also almost always signed all of his personal books from his library and dated when receiving or purchasing the book. Cid also often would note, if a gift, and who had sent the gift--many times another poet. His personal books range from heavy annotation from Cid where he often in unique marginalia would correct the author, agree with the author, argue with the author and leave it to Cid the often ultimate proofreader to correct the publisher. Close to fine and bright glossy wraps with strong spine and with crisp bright text throughout. In this case, annotated here and there by Cid Corman.
