Violist Kim Kashkashian brings her distinctively warm, earthy tone and impassioned playing to this collection of works for viola and various instrumental combinations by Armenian and Israeli composers. Most of the works have in common a sadness that is expressed in some pieces as melancholy and in others as wrenching grief. Most are related to regional and national folk traditions and have a musical language (and titles and subject matter) that link them to the Middle East. The most impressive work is Neharót Neharót by ...
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Violist Kim Kashkashian brings her distinctively warm, earthy tone and impassioned playing to this collection of works for viola and various instrumental combinations by Armenian and Israeli composers. Most of the works have in common a sadness that is expressed in some pieces as melancholy and in others as wrenching grief. Most are related to regional and national folk traditions and have a musical language (and titles and subject matter) that link them to the Middle East. The most impressive work is Neharót Neharót by Israeli composer Betty Olivero, an emotionally rich and musically multilayered lament for viola solo, accordion, percussion, two string ensembles, and tape that's powerfully engaging. Israeli composer Eitan Steinberg's evocative Rava Deravin, based on a Hasidic melody, is also compelling. The piece was written for Kashkashian and uses a string quartet accompaniment. In its expressive final section, the soloist's part alternates between the stratospherically high and the deepest extremes of resister, and the effect is haunting. Armenian composer Tigran Mansurian is represented by two original works and an arrangement of a lullaby by Armenian musician and folklorist Komitas Vardapet. His Tagh for the Funeral of the Lord is a subdued, soulful threnody for viola and percussion. Kashkashian's passionate investment in this material is evident in the focused intensity of her performances. The various accompanying ensembles, including Münchner Kammerorchester led by Alexander Liebreich in the Olivero; the Boston Modern Orchestra Project, led by Gil Rose in Mansurian's Three Arias; and the Kuss Quartet in the Steinberg, provide fervent and sensitive support. ECM's sound is characteristically impeccable: clean, clear, present, and ideally ambient.~Stephen Eddins, Rovi
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Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
