"The characters are boldly drawn and interesting, and Boyd writes with real style. One of the best westerns of the year. " Daily Oklahoman In the mid-1800s, banditos swarmed into Arizona and Texas from Mexico, driven by the poverty and despair of a divided country, and terrorized homesteaders, ranchers and Indians, looting, burning, raping and killing. Navarro and his band were the worst of the banditos. No ranch, gringo or Indian was safe from his savage cruelty. But that changes when Navarro brutalizes and kills Sis ...
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"The characters are boldly drawn and interesting, and Boyd writes with real style. One of the best westerns of the year. " Daily Oklahoman In the mid-1800s, banditos swarmed into Arizona and Texas from Mexico, driven by the poverty and despair of a divided country, and terrorized homesteaders, ranchers and Indians, looting, burning, raping and killing. Navarro and his band were the worst of the banditos. No ranch, gringo or Indian was safe from his savage cruelty. But that changes when Navarro brutalizes and kills Sis Henshaw. Now her furious brothers are chasing after him, hell-bent on violent and total retribution....and Navarro is discovering what real terror feels like. "For those who like them fast-moving and brutal. It's excellent!" San Angelo Times "Carse Boyd" was a pseudonym for David Derek Stacton (1923-1968), an acclaimed American poet and author, under various names, of literary fiction, historical novels, and soft-core gay porn. He was a two-time recipient of a Guggenheim Fellowship and also received a Literature Fellowship from the National Endowment for the Arts. His work ranged from lurid tales like D is for Delinquent to a non-fiction book about the fall of Constantinople. His books under his own name include The Bonapartes , The Judges of the Secret Order , A Signal Victory and People of the Book: A Novel of the Thirty Years War . He died in Denmark in 1968. PRAISE FOR DAVID STACTON (aka CARSE BOYD): "A stylistic virtuoso, matching on the typewriter the lightning flashes of such musical masters as Paganini on the violin," The Chicago Tribune "John Banville comes to mind as an author who so easily switches gears from fustian to fetid...it is fascinating to watch Stacton working out in the noirs the kind of novelist he would become. From the beginning, Stacton is drawn to a certain kind of person, the kind who is the 'victim of the propulsive force of his own character.'" Los Angeles Review of Books "The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly." Time Magazaine "The most unjustly neglected American novelist of the post-war years, David Stacton's ambitious high style and melodrama have seen him banished. It's time for a return to favour. Few writers have managed more fully than Stacton to bear out Gore Vidal's maxim that writers shouldn't 'write what they know' but, rather, what they imagine or suspect.'... and yet, Stacton himself can be seen to hide in plain sight behind everything he wrote." The Guardian (London) "His prose reveals great cultural depth and breadth. He uses language lovingly. Almost every sentence contains a striking metaphor or simile. Aphorisms sparkle from paragraph to paragraph." Fort Worth Star-Telegram "David Stacton is a major writer who has the approval of critics but so far lacks the consent of readers at large. In short, it's the story of literary virtue unrewarded...his novels are enjoyable as well as admirable." Oakland Tribune
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