Is it merely a coincidence that the three "Bs" of classical music--Bach, Beethoven, Brahms--are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book explores the questions of how music came to be ...
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Is it merely a coincidence that the three "Bs" of classical music--Bach, Beethoven, Brahms--are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book explores the questions of how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated as "the most German art." Drawing on the expertise of leading scholars in German history, musicology, and German literature, the essays assembled here examine philosophy, literature, politics, and social currents, as well as the creation and performance of folk music, art music, church music, jazz, and pop to explore the ways in which music has continued to play a central role in the German national imagination and in shaping German identity.
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Good+ 319pp octavo paperback, spine fade, cover glossy mild creasing to top and bottom of signature edge, but binding strong, text clean and crisp throughout.
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New. Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German speaking world possesses a peculiar strength in the cultivation of music. This volume explores this notion and the role of music in identity Editor(s): Applegate, Celia; Potter, Pamela M. Num Pages: 296 pages, 7 line drawings, 1 table. BIC Classification: 1DFG; AV; HBJD; HBT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 155 x 19. Weight in Grams: 458. 2002. 1st Edition. Paperback.....We ship daily from our Bookshop.
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New. Trade paperback (US). Glued binding. 329 p. Contains: Unspecified. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
