Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? This, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in music performance studies.
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Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? This, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in music performance studies.
Read Less
