Set intimately within the social context of black life, this is a collection of stories, "big old lies", songs, voodoo customs and superstitions passed down through oral tradition.
Read More
Set intimately within the social context of black life, this is a collection of stories, "big old lies", songs, voodoo customs and superstitions passed down through oral tradition.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine. Trade paperback (US). Glued binding. 368 p. Contains: Illustrations, black & white. Intended for a young adult/teenage audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Glued binding. 368 p. Contains: Illustrations, black & white. Intended for a young adult/teenage audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. This copy has clearly been enjoyed-expect noticeable shelf wear and some minor creases to the cover. Binding is strong and all pages are legible. May contain previous library markings or stamps.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Book is in good condition and may include underlining highlighting and minimal wear. The book can also include From the library of labels. May not contain miscellaneous items toys dvds etc. We offer 100% money back guarantee and 24 7 customer service.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. There is handwriting, stickers or numbers inside the front cover Corners are bent. Stains on outside cover/inside the book. There is writing on cover of book. Cover/ Case does NOT match photos; some content may vary from version shown Cover/Case has some rubbing and edgewear. Access codes, CD's, slipcovers and other accessories may not be included.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Covarrubias, Miguel. Very good. Ex-library. Trade paperback (US). Glued binding. 291 p. Audience: General/trade. LCCN 77015216 Type of material Book Personal name Hurston, Zora Neale. Main title Mules and men / by Zora Neale Hurston; pref. by Franz Boas; introd. by Robert Hemenway; ill. by Miguel Covarrubias. Published/Created Bloomington: Indiana University Press, [1978] c1935. Description xxviii, 291 p. : ill.; 22 cm. ISBN 0253339324: 0253202086 pbk. : LC classification GR103. H8 1978 LC Subjects African Americans--Louisiana--Folklore. African Americans--Florida--Folklore. Tales--Louisiana. Tales--Florida. Vodou--Louisiana. African Americans--Florida. African Americans--Louisiana. African Americans--Florida--Music. African Americans--Louisiana--Music. Notes Reprint of the ed. published by Lippincott, Philadelphia: with new introd. Dewey class no. 398.2/09759 Geographic area code n-us-fl n-us-la
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
I read Zora Neale Hurston's novel "Their Eyes are Watching God" and wanted to read more. Hurston (1891 -- 1960) had studied anthropology at Barnard with one of the founders of modern anthropology, Franz Boas. With Boas' encouragement and funding from a private source, Hurston travelled South to collect African-American folklore. Her first stop was Eatonville, Florida, an all-black community where Hurston had spent much of her childhood. She then went South to Polk County, Florida and its sawmills and the Everglades. She went further South to Pierce and Lakeland gathering folk materials before heading to New Orleans to study Hoodoo. In 1927, she rented a small house in Eau Gallie, near Melbourne, Florida where she organized her extensive notes. Her book, "Mules and Men" was published in 1935.
"Mules and Men" is an outstanding source of information about the folk-tales, called "lies", of rural Southern African-Americans. (Florida was a gathering place for African-Americans throughout the South because of the economic opportunities it offered.) She visited old friends in Eatonville, and won the confidence of people in the other communities she visited. The tales include animal stories ("why dogs and cats are enemies", "how the snake got poison," for example) stories of pre-civil war days involving a slave named "Jack" and his master, stories of the battle between the sexes, contests between "Jack" and the devil, bragging contests, and much else. Hurston also collected songs and lyrics, including "John Henry", sermons, and hoodoo formulas while in New Orleans.
But this book is much more than a compilation of folk materials. Hurston brings her material to life by bringing the story-tellers and the communities she visited to life. She writes with deep and obvious affection for the rural African-American communities of the South in the mid-1920s. Hurston's folk-tales are embedded in a fascinating story of their own as she introduces the reader to the small towns, the parties, the sawmills, the jooks, and the life of her story tellers. One of the characters that Hurston befriends is a woman named Big Sweet who lives with a man named Joe. Joe cheats on Big Sweet, and Big Sweet puts Joe right in no uncertain terms. Big Sweet and her enemy, a woman named Lucy, draw knives with potentially fatal consequences in a fight in a jook that involves Zora. Big Sweet is a strong and convincingly drawn character in her own right. The characters and communities in the book were for me even more convincing that the stories.
The first part of Mules and Men describes Hurston's collecting of folk tales, while the second, shorter part discusses her experiences with Hoodoo doctors in New Orleans. Hoodoo played a large role in the lives of some African-Americans. I was reminded of Memphis Minnie's blues song "Hoodoo Lady" and of Muddy Waters' "I got my mojo working". The founder of Hoodoo was a woman named Marie Leveau. Hurston describes how she gained the confidence of several Hoodoo doctors in New Orleans, received initiation from them, and was in one case asked to stay on as a successor practitioner. Hurston relays Hoodoo spells used to kill an enemy, to make an unwanted person leave town, to get a lover or to get rid of an unwanted lover, and to bring help to those in jail. She recounts the stories of these conjures, of the Hoodoo doctors, and their clients with a great deal of seriousness. I found this section of the book fascinating but troubling and different from the folk-tales and people discussed in the first part of the book.
The book is written almost entirely in dialect, but I found it easy to follow as the book progressed. Hurston wrote this book to preserve an important part of African-American culture in the United States and to express her commitment to and love for this culture. She believed this culture had its own strengths and could develop its own course and destiny internally. This is a fascinating, moving book and a thought-provoking picture of one form of the African-American experience in the United States.
