On the evidence of this disc, Paul McCreesh's recordings are as fascinating and idiosyncratic as ever. From his glorious Venetian Vespers through his evocative Epiphany Mass and even his extravagant Solomon, McCreesh has produced a body of work that remains completely interesting and consistently eccentric. In this disc combining three works by Mozart, Haydn, and Beethoven featuring the soprano voice, McCreesh not only explicitly compares and contrasts their ways of writing for soprano, not only implicitly creates a ...
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On the evidence of this disc, Paul McCreesh's recordings are as fascinating and idiosyncratic as ever. From his glorious Venetian Vespers through his evocative Epiphany Mass and even his extravagant Solomon, McCreesh has produced a body of work that remains completely interesting and consistently eccentric. In this disc combining three works by Mozart, Haydn, and Beethoven featuring the soprano voice, McCreesh not only explicitly compares and contrasts their ways of writing for soprano, not only implicitly creates a subliminal study of feminine psychology, but also showcases the extraordinary talent of Camilla Tilling. In his unfinished C minor Mass with two soprano soloists, Mozart approached the soprano as a radiant creature of capricious virtuosity. In his "Scene" and "Aria Bernice, che fal?," Haydn approached the soprano as a fully human woman with tremendous emotionality. In his "Scene" and "Aria Ah! perfido," Beethoven approached the soprano as nearly superhuman heroine with unbelievable...
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