Fans of Martin Pearlman and the Boston Baroque will be delighted to find that they have at last ventured into recording Mozart's symphonies and concertos for Telarc; one hopes this 2005 hybrid SACD is a sign of great things to come. Though the two flute concertos seem a modest enough place to start -- a pair of the piano concertos might have made a bigger splash -- the performance of Mozart's greatest symphony is an auspicious beginning indeed. Pearlman and his ensemble make the Symphony No. 41 in C major, K. 551, "Jupiter, ...
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Fans of Martin Pearlman and the Boston Baroque will be delighted to find that they have at last ventured into recording Mozart's symphonies and concertos for Telarc; one hopes this 2005 hybrid SACD is a sign of great things to come. Though the two flute concertos seem a modest enough place to start -- a pair of the piano concertos might have made a bigger splash -- the performance of Mozart's greatest symphony is an auspicious beginning indeed. Pearlman and his ensemble make the Symphony No. 41 in C major, K. 551, "Jupiter," sparkle with the timbres of original instruments and give it a good shaking with brisk tempi and compelling forward momentum. None of the ponderous weight of Romantic interpretations can be found here, and the often obscured wind parts are at last heard clearly, in proper balance with the strings. While Jacques Zoon's renditions of the Flute Concerto in D major, K. 314, and the Flute Concerto in G major, K. 313, are radiant and refreshing for their clarity and delicacy, they are...
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