Why is Dave Kehr "one of the best writers on film the country has produced"? Jonathan Rosenbaum, his highly regarded successor as movie critic at the "Chicago Reader" from 1987 through 2008, has a good answer in his Foreword to this volume: "For the range of films and filmmakers treated, the analytical tools employed, and the intellectual confidence and lucidity of his arguments, Kehr's prose really has no parallels." In this "sequel" to "When Movies Mattered" (published in 2011), Kehr deploys those gifts in 50 brilliant ...
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Why is Dave Kehr "one of the best writers on film the country has produced"? Jonathan Rosenbaum, his highly regarded successor as movie critic at the "Chicago Reader" from 1987 through 2008, has a good answer in his Foreword to this volume: "For the range of films and filmmakers treated, the analytical tools employed, and the intellectual confidence and lucidity of his arguments, Kehr's prose really has no parallels." In this "sequel" to "When Movies Mattered" (published in 2011), Kehr deploys those gifts in 50 brilliant pieces, ranging from a thoughtful discussion of the sobering Holocaust documentary "Shoah" to an irresistible celebration of the raucous American comedy "Used Cars." Although that first book featured pieces only from the "Reader," this volume also contains essays from "Chicago" magazine, where Kehr's column on movies appeared from August 1979 through September 1986 (his work in the "Reader" appeared from late 1974 through late summer in 1986). As with "When Movies Mattered," most of this material (and all of it from "Chicago" magazine) has not been reprinted or available online since its original publication. Readers will now have the opportunity to know more of what Rosenbaum calls "a body of work that . . . strikes me as being the most remarkable extended stretch of auteurist [director centered] criticism in American journalism." Although Kehr ended his career as a critic toward the end of 2013 when he stopped writing his weekly DVD column for the "New York Times" to become an adjunct curator in the film department of the Museum of Modern Art, his reputation will be further enhanced by this second collection of his outstanding work--definitely must reading for cinephiles.
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