Not every musical borrowing is obvious; but the listener who does perceive one is always left wondering: what does the similarity mean? Reynolds gives us answers to that complex question. He identifies specific borrowings or allusions in a wide range of nineteenth-century music and shows the kinds of things composers do with borrowed musical ideas.
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Not every musical borrowing is obvious; but the listener who does perceive one is always left wondering: what does the similarity mean? Reynolds gives us answers to that complex question. He identifies specific borrowings or allusions in a wide range of nineteenth-century music and shows the kinds of things composers do with borrowed musical ideas.
Read Less