This companion volume to the Real Folk Blues album was issued in 1967 (after the Wolf had appeared on network television with the Rolling Stones, alluded to in the original liner notes) and couldn't be more dissimilar in content to the first one if you had planned it that way. Whereas the previous volume highlighted middle-period Wolf, this one goes all the way back to his earliest Chess sessions, many of which sound like leftover Memphis sides. The chaotic opener, "Just My Kind," sets a familiar Wolf theme to a "Rollin' & ...
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This companion volume to the Real Folk Blues album was issued in 1967 (after the Wolf had appeared on network television with the Rolling Stones, alluded to in the original liner notes) and couldn't be more dissimilar in content to the first one if you had planned it that way. Whereas the previous volume highlighted middle-period Wolf, this one goes all the way back to his earliest Chess sessions, many of which sound like leftover Memphis sides. The chaotic opener, "Just My Kind," sets a familiar Wolf theme to a "Rollin' & Tumblin'" format played at breakneck speed, and what the track lacks in fidelity is more than made up in sheer energy. For a classic example of Wolf's ensemble Chicago sound, it's pretty tough to beat "I Have a Little Girl," where the various members of his band seem to be all soloing simultaneously -- not unlike a Dixieland band -- right through Wolf's vocals. For downright scary, the demonic-sounding "I'll Be Around" is an absolute must-hear. Wolf's harp solo on this slow blues is one of his best and the vocal that frames it sounds like the microphone is going to explode at any second. As soul singer Christine Ohlman commented upon hearing this track for the first time, "Boy, I'd sure hate to be the woman he's singing that one to." ~ Cub Koda, Rovi
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