The church stands high on the summit of this granite rock, and on its west front is the platform, to which the tourist ought first to climb. From the edge of this platform, the eye plunges down, two hundred and thirty-five feet, to the wide sands or the wider ocean, as the tides recede or advance, under an infinite sky, over a restless sea, which even we tourists can understand and feel without books or guides; but when we turn from the western view, and look at the church door, thirty or forty yards from the parapet where ...
Read More
The church stands high on the summit of this granite rock, and on its west front is the platform, to which the tourist ought first to climb. From the edge of this platform, the eye plunges down, two hundred and thirty-five feet, to the wide sands or the wider ocean, as the tides recede or advance, under an infinite sky, over a restless sea, which even we tourists can understand and feel without books or guides; but when we turn from the western view, and look at the church door, thirty or forty yards from the parapet where we stand, one needs to be eight centuries old to know what this mass of encrusted architecture meant to its builders, and even then one must still learn to feel it. The man who wanders into the twelfth century is lost, unless he can grow prematurely young. One can do it, as one can play with children. Wordsworth, whose practical sense equalled his intuitive genius, carefully limited us to "a season of calm weather," which is certainly best; but granting a fair frame of mind, one can still "have sight of that immortal sea" which brought us hither from the twelfth century; one can even travel thither and see the children sporting on the shore. Our sense is partially atrophied from disuse, but it is still alive, at least in old people, who alone, as a class, have the time to be young.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Good condition. (Middle Ages) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. 455 pages; light wear and creasing to the covers. Fading to pages. Name inscription on half title page. Good condition otherwise. No other noteworthy defects. No markings on text pages.; -We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Size: 10x7x1; Bound in publisher's cloth. Hardcover in slip case. Good binding and cover. Shelf wear. Tears to slip case. Clean, unmarked pages. The Heritage Press operated from 1937-1982 and was created by George Macy. Heritage reprinted the lovely volumes of the Limited Editions Club. Heritage was established to give these works a wider audience by making them more affordable and widely available. Every book was selected by Heritage's editors as a classic in its field, chosen from the world's best-known and most enduring literature.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
348p. A dark teal cloth hardcover book in very good condition with slipcase. The spine is lightly tanned. Small inscription by a former owner inside front cover. Otherwise, text clean and binding tight. The slipcase is rubbed along the edges, but otherwise intact and sturdy. Introduction by Francis Henry Taylor and illustrated with photographs by Samuel Chamberlain.
