Excerpt from Modern Dancing and Dancers There are other peculiar difficulties which beset the critic of the Dance. I do not refer to the difficulty of passing judgment upon a fugitive art that leaves nothing behind it but an echo of applause, for with the dancers of the past I have little concern. There is the difficulty of discriminating between the executant and the composer - a difficulty greater in dancing than in music, since the dancer is more than an executant of the art, she is herself the medium of it. In the ...
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Excerpt from Modern Dancing and Dancers There are other peculiar difficulties which beset the critic of the Dance. I do not refer to the difficulty of passing judgment upon a fugitive art that leaves nothing behind it but an echo of applause, for with the dancers of the past I have little concern. There is the difficulty of discriminating between the executant and the composer - a difficulty greater in dancing than in music, since the dancer is more than an executant of the art, she is herself the medium of it. In the popular eye she has in fact always quite eclipsed the chore grapher. Criticism is in doubt as to the measure of her share in the creation of the design - an uncertainty that cannot be resolved by any reference to a score. Further, it is in continual danger of being misled by the glamour of personal qualities - physical beauty, for example - which are strictly extraneous to the art. (taglioni, it should be remembered, was probably the plainest as well as the greatest of dancers.) In no art, therefore, is personal prejudice established so readily or on grounds of such doubtful artistic validity. The Dance enjoys no immunity from the clash of schools. Indeed, partisanship is the more bitter as principles of criticism are less determined. The respective upholders of the school of the ballet and of the natural or classical style of dancing are barely on speaking terms. To the advocates of the old school the new classical dancer is little better than a freak performer; to the austere classicist the ballet-dancer is but a smiling automaton, and both agree in refusing to recognise the skirt-dancer as a dancer at all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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