This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other ...
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Seller's Description:
1900. STudio. First. Book-Good, extremities rubbed, spine darkened, gilt titles on spine. 11.5x8.5. 100pp. 90 b/w and colour plates throughout. Rather more than a hundred and fifty years ago the foundation was laid of that great school of water-colour painting which plays a part of such importance in the history of British Art. Before 1750, it is true, there were in England many artists who use the water-colour medium with notable skill and complete discretion, but there was certainly no general movement in the interest of this branch of practice, and no sign that it was likely to become fashionable either with art workers or the public.