This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other ...
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Seller's Description:
None. Good. A two volume set of the works of John Milton. Complete in two volumes. With a life, critical dissertation and explanatory notes by Rev George Gilfillan. John Milton was an English poet, polemicist, man of letters and civil servant, famous for the epic poem Paradise Lost. In original publisher's cloth bindings. Externally, a trifle rubbed with bumping to extremities. Spine cocked. Lifting and loss to backstrip. Joints starting but still reasonably firm. Hinges strained. Ink inscription to front endpaper. Internally, firmly bound. Pages bright and clean with only occasional spot. Good.