Gidon Kremer and his Kremerata Baltica ensemble may be best known for Piazzolla, but they have also specialized in the rediscovery of neglected East Bloc composers. The Polish-born Mieczyslaw Weinberg, a follower of Shostakovich who was much championed by his mentor, doesn't quite qualify as neglected, but much of his music, including the late chamber symphonies recorded here, has awaited persuasive performances. The chamber symphonies aren't quite a genre in themselves, the first three are arranged from earlier Weinberg ...
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Gidon Kremer and his Kremerata Baltica ensemble may be best known for Piazzolla, but they have also specialized in the rediscovery of neglected East Bloc composers. The Polish-born Mieczyslaw Weinberg, a follower of Shostakovich who was much championed by his mentor, doesn't quite qualify as neglected, but much of his music, including the late chamber symphonies recorded here, has awaited persuasive performances. The chamber symphonies aren't quite a genre in themselves, the first three are arranged from earlier Weinberg string quartets, while the 1992 Chamber Symphony No. 4, Weinberg's last completed work, is original. It's a fascinating piece, with a triangle sounding the strokes of approaching death at the end. The Piano Quintet, Op. 18, of 1944, is presented in an arrangement for string orchestra and, notably, percussion; the word "arrangement" doesn't seem strong enough for what's happening. This is the place to start sampling, for there are all kinds of junctures where the music sounds like...
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