The history of comical theories has paid little attention to the media specifics of the comical so far. The aim of this volume is to compare and systematically record the specific humor of audiovisual media in an interdisciplinary dialogue between Literary Studies, Linguistics, Philosophy and Media Studies (music, film, comic).
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The history of comical theories has paid little attention to the media specifics of the comical so far. The aim of this volume is to compare and systematically record the specific humor of audiovisual media in an interdisciplinary dialogue between Literary Studies, Linguistics, Philosophy and Media Studies (music, film, comic).
Read Less
