Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all ...
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Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.
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Seller's Description:
Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Inscription on the first page, typically just a name but may include a dedication or a brief personal message. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner. Aged book. Tanned pages and age spots, however, this will not interfere with reading.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 400grams, ISBN: 0521295041.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 400grams, ISBN: 0521295041.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 0521224446.
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Seller's Description:
Fine in near fine jacket. First edition, 1982. Cloth hardcover in dust jacket, 171 pp., illustrated, clean unmarked text, Fine copy in Near Fine dust jacket. Uncommon in hardcover with dust jacket. Signed and inscribed by the author on the front flyleaf.