From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles ...
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From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music--classical, popular, and jazz--and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.
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Seller's Description:
Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Like New. Yale University Press; New Haven, 2004. Hardcover. Fine, black cloth binding with gilt lettering on spine, binding firm, interior and extremities tidy, book appears unread, minimal use/handling marks, small dent bottom text block edge, in a Fine, trace edge/corner wear, minimal handling/scuff marks, Dust Wrapper. A nice, clean and unmarked copy. 8vo[octavo or approx. 6 x 9 inches], 387pp. indexed, bibliography, notes, b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.
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As New in As New jacket. From colonial times to the present, many American composers have lived on the fringes of society and defined themselves as outsiders; this book considers the tradition of maverick composers and explores what they reveal about American attitudes toward the arts and about American society; it begins by examining the careers of three unconventional composers, William Billings, Anthony Philip Heinrich, and Charles Ives, and then goes on to investigate the proliferation of eccentric individualism in all types of American music, classical, popular, and jazz, and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa (black cloth with gold lettering; black dust jacket with small photos of various maverick composers)
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
