Impressionism - the interpretation of nature through colour and light - was a powerful influence on American painters till after World War II. This book offers an overview of the movement, beginning with Mary Cassatt and concluding with Frederick Frieseke and Richard Miller.
Read More
Impressionism - the interpretation of nature through colour and light - was a powerful influence on American painters till after World War II. This book offers an overview of the movement, beginning with Mary Cassatt and concluding with Frederick Frieseke and Richard Miller.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Various. As New in As New jacket. 4to-over 9¾-12" tall. pp. 162. Book as new and unread in glossy illustrated dust jacket. Slightly dusty along top edge from shelf-wear, otherwise pristine in grey boards. Includes 79 illustrations, 66 of them in full colours. Impressionism-the interpretation of nature through colour and light-was the most powerful influence on American painters until after WWII, and book describes and illustrates how this popular school of US painting evolved and developed. This is a large and heavy book and will require extra postage outside the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0810936143. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--164 pp. With 79 ills. (66 col. ). 30 x 26 cm. --with a bonus offer--; 1 x 11.6 x 10.1 Inches.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
VG (May have few marks from previous gallery owner; pages may be tanning lightly from outer edges. ) White cloth with color dj. 163 pp. 13 bw, 66 color plates. Preface by the collector Hans Heinrich Thyssen-Bornemisza, who sponsored the exhibition for which this book serves as a catalogue. Listing of the represented artists, foreword by Irene Martin and an essay by William Gerdts. The finest exhibition of American Impressionism ever held in Europe. Large color plates.