Though this two-disc set is clearly only for the hardcore Martinu fan, its diversity, individuality, and high spirits are a thrill. The biggest work is the Spalicek, a ballet with singing in three acts scored for soprano, tenor, and bass soloists; children's choir; women's choir; and orchestra lasting an hour and a half. Variously translated as "The Chap-Book" and "The Czech Year" and described by the composer as a "ballet from folk games, customs and fairytales," Spalicek resists easy characterization. Imagine a ...
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Though this two-disc set is clearly only for the hardcore Martinu fan, its diversity, individuality, and high spirits are a thrill. The biggest work is the Spalicek, a ballet with singing in three acts scored for soprano, tenor, and bass soloists; children's choir; women's choir; and orchestra lasting an hour and a half. Variously translated as "The Chap-Book" and "The Czech Year" and described by the composer as a "ballet from folk games, customs and fairytales," Spalicek resists easy characterization. Imagine a Technicolor version of Stravinsky's Les Noces based on Czech rather than Russian folk songs with catchier tunes and more buoyant rhythms and you'll have some idea of what to expect. Also included here are The Specter's Bride, a ballade for soprano, tenor, and bass soloists and choir and orchestra; The Romance of the Dandelions, a chamber cantata for soprano and mixed chorus; and The Primrose, five duets on folk songs for soprano and alto with violin and piano. Although the performances of all...
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