Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London. Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's ...
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Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London. Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's practice has developed from painting to encompass photography, video, sculpture and installation work. Employing the tools of irony and satire, Wallinger explores issues surrounding the complex themes of identity, class, race, and religion.
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Seller's Description:
Exhibition catalogue, Tate Liverpool. First edition. 295x230mm 128 pages. Illustrated in colour and black and white. Paperback with some edge-wear. Marked crease to rear cover and last 12 pages. Very good. With 3D glasses and 8 pages concertina fold program loosely inserted. Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London. Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's practice has developed from painting to encompass video, sculpture and installation work. Employing the tools of irony and satire, Wallinger explores issues surrounding the complex themes of identity, class, race, and religion. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 32 years experience, you may order with confidence.
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Seller's Description:
VG (slight edgewear, otherwise quite nice. ) Black & color illus. wraps, 128 pp., many color illus. Issued in conjunction with a 2000 exhibition of artwork rendered by British artist Mark Wallinger (b. 1959). With essays by Ian Hunt and David Burrows, a chronology, a bibliography, and many full-color illustrations of Wallinger's creativity. A nice introduction to this intriguing artist.
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Seller's Description:
Near Fine. Art. XL. Book is in excellent condition with creaseless covers and spine, very very light corner wear only. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Exhibition catalog for a show at the publisher's gallery. 128 pages with many full page color prints, essays by the above authors. Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London. Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's practice has developed from painting to encompass photography, video, sculpture and installation work. Employing the tools of irony and satire, Wallinger explores issues surrounding the complex themes of identity, class, race, and religion.