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Seller's Description:
VG-/VG-(may have bump w/ small divet to spine top; may have bump & bruise to tail. may have light indentations to edges; corners bumped. remains tightly bound. dustjacket scuffed, & scratched; may have creasing to spine ends; scattered scoring. Flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Photo is of a previous copy; copy is not sealed in publisher's wrap. "Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09. -12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat.
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Seller's Description:
In shrinkwrap. Flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09. -12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized. PAPERBACK.
