Exhibition held at National Gallery of Canada, Ottawa, Jan. 31-May 4, 2003; Art Gallery of Ontario, Toronto, Jan. 24-Apr. 4, 2004; Brooklyn Museum of Art, New York, Sept. 23-Dec. 11, 2005.
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Exhibition held at National Gallery of Canada, Ottawa, Jan. 31-May 4, 2003; Art Gallery of Ontario, Toronto, Jan. 24-Apr. 4, 2004; Brooklyn Museum of Art, New York, Sept. 23-Dec. 11, 2005.
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Seller's Description:
Fair. Some corner dings. **PLEASE READ** The dust jacket has a large tear. FAST shipping, FREE tracking, and GREAT customer service! We also offer EXPEDITED and TWO DAY shipping options on qualifying orders.
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Seller's Description:
Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-520-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED--Over the past twenty-five years, the internationally renowned Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where human activity has reshaped the surface of the land. His astonishing large-scale color photographs of the landscapes of mining, quarrying, railcutting, recycling, oil refining, and shipbreaking uncover a stark, almost sublime beauty in the residue of industrial "progress." The implicit social and environmental upheavals that underlie these images make them powerful emblems of our times. This handsome catalogue of the first major retrospective of Burtynsky's work features essays by Lori Pauli, Kenneth Baker, and Mark Haworth-Booth, as well as a wide-ranging interview with the artist by Michael Torosian. The book includes sixty-four color plates. New exhibition catalogue, order. --with a bonus offer--
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Seller's Description:
Good+ (Ex art library with sticker on DJ spine; DJ is moderately worn; boards are lightly edgeworn; textblock edges are lightly smudged; interior is clean; binding is solid. ) Red and black photo-illustrated DJ with orange and white lettering; black boards with silver lettering; 160 pp.; richly illustrated. "Over the past twenty-five years, the Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where industrial activity has reshaped the surface of the land. His surveys of the man-made terrain of quarrying, mining, railcutting, recycling, oil refining, and shipbreaking remind us that these incursions into the earth arise out of perennial human needs and desires. Burtynsky's photographs may show us things that are disturbing, but they also have about them an unexpected beauty, subverting our usual notions of the sublime in nature and leading us to a new awareness of the landscape of our times." "Manufactured Landscapes, organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian"--Jacket.
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Seller's Description:
First edition. Large format hardcover. Fine in fine dust jacket. A tight, clean and unmarked copy. 160pp. Illustrated mostly in colour. Catalogue of the exhibition at the National Gallery of Canada, January 31 to May 4, 2003 and other venues thereaf ter. Includes essays by Mark Haworth-Booth and Kenneth Baker and an interview by Michael Torosian.