Organ transcriptions of nineteenth century orchestral music are seldom subtle affairs, and you need only think of the ludicrous arrangements of Wagner's music on Anthony Newman's 1975 Organ Orgy album to know how misguided such attempts can be. Yet in spite of its unlikely prospects, David Briggs' reworking for organ of Gustav Mahler's Symphony No. 5 in C sharp minor is not a vulgar travesty. Even though it has a few moments that strain credulity (if not the performer's arms and legs), this transcription essentially works ...
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Organ transcriptions of nineteenth century orchestral music are seldom subtle affairs, and you need only think of the ludicrous arrangements of Wagner's music on Anthony Newman's 1975 Organ Orgy album to know how misguided such attempts can be. Yet in spite of its unlikely prospects, David Briggs' reworking for organ of Gustav Mahler's Symphony No. 5 in C sharp minor is not a vulgar travesty. Even though it has a few moments that strain credulity (if not the performer's arms and legs), this transcription essentially works as a virtuosic organ symphony. Briggs has a fine sense of Romantic registration and he employs the stops of the Gloucester Cathedral organ in rich combinations, not unlike the colors one finds in the organ works of Saint-Saëns, Widor, or Vierne, and which work surprisingly well for Mahler. Of course, even with a lavish array of stops, the organ cannot reproduce the finely shaded dynamics and incisive orchestration of the symphony, and many of Mahler's wispy, swelling, throbbing, or...
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