One of the most frequently recorded works in the hybrid SACD format is Gustav Mahler's Symphony No. 5 in C sharp minor, for the apparent reason that it is one of the most vibrantly orchestrated, expressively varied, and astonishing-sounding symphonies in the repertoire, to say nothing of being one of the composer's most characteristic and popular compositions. So when Mariss Jansons and the Royal Concertgebouw Orchestra present their live version in a state-of-the-art recording, it is with the sure knowledge that it's up ...
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One of the most frequently recorded works in the hybrid SACD format is Gustav Mahler's Symphony No. 5 in C sharp minor, for the apparent reason that it is one of the most vibrantly orchestrated, expressively varied, and astonishing-sounding symphonies in the repertoire, to say nothing of being one of the composer's most characteristic and popular compositions. So when Mariss Jansons and the Royal Concertgebouw Orchestra present their live version in a state-of-the-art recording, it is with the sure knowledge that it's up against massive competition, with virtually every new conductor adding a spectacular version to the catalog, and even some old multichannel recordings are being revived. While Jansons holds his own as an original and insightful interpreter of Mahler, and the RCO plays with assurance and excitement, this rendition only falls short of being truly impressive by offering slightly less than spectacular sound. Even though one must put up with small annoyances, such as occasional rhythmic...
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