Jaap van Zweden achieved outstanding results in his live recording with the Dallas Symphony Orchestra of Gustav Mahler's Symphony No. 6 in A minor, released in 2013 on the orchestra's own label. This 2016 release of the Symphony No. 3 in D minor is his follow-up, and the high standards he demands of his musicians make this an exceptional performance, comparable to the earlier release in expressive depth, technical precision and brilliance, and fidelity to the score. The only difficulty is the audio of the recording, which, ...
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Jaap van Zweden achieved outstanding results in his live recording with the Dallas Symphony Orchestra of Gustav Mahler's Symphony No. 6 in A minor, released in 2013 on the orchestra's own label. This 2016 release of the Symphony No. 3 in D minor is his follow-up, and the high standards he demands of his musicians make this an exceptional performance, comparable to the earlier release in expressive depth, technical precision and brilliance, and fidelity to the score. The only difficulty is the audio of the recording, which, like that of the Sixth, is curiously recessed and muted. The Dallas Symphony Orchestra obviously plays at full volume, and its sonorities aren't muffled or distorted in the recording, so engineering is likely the cause of the somewhat distant sound. Apart from that, and with some boosting of the volume level, one can hear that the symphony is played with great rhythmic vigor, bright tone colors, and a kind of joyfulness that makes the 95 minutes fly by with pleasure. This is...
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