The four symphonies of Albéric Magnard are not well known outside France, and these two youthful works are less often played than the other two. Yet conductor Fabrice Bollon, leading the Philharmonisches Orchester Freiburg, makes a strong case for them. The Symphony No. 1 in C minor, Op. 4, shows traces of Magnard's study with Vincent d'Indy in its cyclical form, but its mood is entirely individual, with an action-packed, restless quality interrupted only by a truly haunting chorale in the "Religioso" second movement. (The ...
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The four symphonies of Albéric Magnard are not well known outside France, and these two youthful works are less often played than the other two. Yet conductor Fabrice Bollon, leading the Philharmonisches Orchester Freiburg, makes a strong case for them. The Symphony No. 1 in C minor, Op. 4, shows traces of Magnard's study with Vincent d'Indy in its cyclical form, but its mood is entirely individual, with an action-packed, restless quality interrupted only by a truly haunting chorale in the "Religioso" second movement. (The first movement is marked "Strepitoso," or noisy.) The Symphony No. 2 in E major, Op. 6, has a sort of low-key radiance that poses real problems for a conductor and musicians. Magnard trimmed the work after it received an unfavorable initial reception, but it would be interesting to hear the earlier version, if someone were to unearth it, in the hands of the Bollon and the Freiburgers. The outer movements have a flowing quality with a bit of quiet ecstasy that exemplifies what led...
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![Magnard: Symphonies Nos. 1 and 2 [Philharmonisches Orchester Freiburg; Fabrice Bollon] [Naxos: 8574083]](https://www3.alibris-static.com/cover/o61491ynw4y_t.jpg)
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