"Lyric Time" offers a detailed critical reading of Emily Dickinson, a particularly difficult poet, an analysis of the dominance of temporal structures and concerns in the body of her poetry, and finally, an important original contribution to a theory of the lyric. Lightning Print On Demand Title
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"Lyric Time" offers a detailed critical reading of Emily Dickinson, a particularly difficult poet, an analysis of the dominance of temporal structures and concerns in the body of her poetry, and finally, an important original contribution to a theory of the lyric. Lightning Print On Demand Title
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Add this copy of Lyric Time to cart. $36.61, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 1979 by Johns Hopkins University Press.
Add this copy of Lyric Time-Dickinson and the Limits of Genre to cart. $40.32, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 1979 by Johns Hopkins University Press.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of Lyric Time: Dickinson and the Limits of Genre to cart. $92.33, fair condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1979 by The Johns Hopkins University Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN: 0801821711.
Add this copy of Lyric Time: Dickinson and the Limits of Genre to cart. $20.94, good condition, Sold by Kennys.ie rated 4.0 out of 5 stars, ships from Galway, IRELAND, published 1979 by Johns Hopkins University Press.
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Good. 1979. Hardcover. Good clean copy in dustwrapper with some shelf wear, some nicks and tears to DW and some edgewear to DW.....We ship daily from our Bookshop.
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Fine. Trade paperback (US). Glued binding. 296 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Lyric Time: Dickinson and the Limits of Genre to cart. $36.59, new condition, Sold by GreatBookPricesUK5 rated 4.0 out of 5 stars, ships from Castle Donington, DERBYSHIRE, UNITED KINGDOM, published 1979 by Johns Hopkins University Press.
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New. Trade paperback (US). Glued binding. 296 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Fair. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved dog eared or creased page s; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.
Add this copy of Lyric Time: Dickinson and the Limits of Genre to cart. $15.12, good condition, Sold by ThriftBooks-Baltimore rated 5.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 1979 by Johns Hopkins University Press.
Add this copy of Lyric Time: Dickinson and the Limits of Genre to cart. $43.22, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 1979 by Johns Hopkins University Press.
Sharon Cameron?s Lyric Time is a classic study of Emily Dickinson?s poetry. In a number of chapters analysing some of ED?s lyrics and poetry by others, it elucidates themes such as naming, rage, representation and death, language and mourning, and time, and ends with a chapter considering the lyric more widely.
I find this work a competent discussion of some of ED?s poems and certainly anyone who reads if will get a flavour of what ED?s is like, but I find that the tone of the work is wrong.
I find, and others have found this too, that the most striking feature of ED?s life and work is that she is one of the best example of what it is like to a be pure poet. ED, because she was able to, retreated into solitude in her life to concentrate on what might be called a poetic existence. The extent to which she was able to do this rare amongst poets, and an index of this the state of her poetry. Many people have reacted to her poetry by asserting that it is fragmentary, unfinished, full of ?mistakes? and bafflingly hard to understand. My interpretation of her poetry is that she was so purely a poet that she left a great deal of it in what might be called its original state, a private mental short-hand version that most poets would have later tidied up for publication and made more explicable at the price of losing some original inspiration.
People who read Cameron?s book will be introduced to the poetic world of ED, but will also be exposed to the author?s implicit attitude that ED didn?t really know what she was doing in the poetry (itself no more than a more sophisticated version of the older ?laughing at the eccentric spinster attitude? in ED criticism). As Cameron diagnoses there is plenty of existential terror, grief and even rage in ED?s poetry, but Cameron misses the humour and the courage of ED?s poetry and above all ?the achieve of, the mastery? of it.
This attitude, for me, ruins not only Cameron?s analysis of ED?s poetry, but her thoughts on the lyric generally, which become merely a post-structural diagnosis of absence. The slant that Cameron takes on post-structuralism is a very Christian one, stressing the absence at the heart of the lyric (ED?s lyrics and the lyric generally). There is no doubt that ED?s thought is firmly rooted in Christianity, but her scheme of thought is one which encompasses absence and is not, ultimately, troubled by it. I prefer Dickinsonianity to Cameron?s version of post-structuralism.
In summary I would recommend this work to ED specialists, but I?d say most people would get more out of simply reading ED?s Collected Poems for themselves.
