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Seller's Description:
Good. No Jacket. Book Hardbound, no dust jacket. 1st edition. Previous owner's name in neat ink script on the front free end page, minor soiling & wear to boards, otherwise very good. [Heavy. Contact for overseas shipping quote. ]
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Seller's Description:
Near Fine in Near Fine dust jacket. 3170115693. German language. Navy cloth cover is pristine. Boards and spine are straight. Binding is tight. Former owner's name stamped on copyright page. Pages are clean and pristine. Dust jacket has light shelf rubbing but near pristine. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. )
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Seller's Description:
Very Good Plus in Very Good Minus jacket. 4to-over 9¾"-12" tall. Illustrated cloth, hardcover in dust jacket., dj has edge-wear along top of back panel and spine. verso has some tape reinforcement and is now safe in a folded mylar protector. book has been cleaned. strong binding/hinges. no writing or markings. no other flaws. NOT an ex-lib.; english text.; 355pp., 540 illustrations, including 30 tipped-in color plates.; still a major reference on the german-american artist who taught at the bauhaus.
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Seller's Description:
Very Good in Fair jacket. Hardcover. 4to. First edition. Hardcover with dust jacket. 4to with 353 pages. Catalogue Reisonne. Text is in German. The book is in very good condition very slight shelf wear. The dust jacket is in fair condition with some chipping to top edges on spine and front panel. Interior is clean and tight. Black spine with white text.
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Seller's Description:
Near Fine in Very Good jacket. Book. Quarto. Quarto. xvi, 354 (1) pp, illus. no date. Not Price Clipped. 1" x 1" x 3/4" chip and accompanying 2" jagged closed tear to top edge front panel dj with a second 2" closed tear to top edge rear panel, and some additional wear to same. Partial light age-toning to text block, else, Pristine, no wear. No markings, binding tight, clean, white and bright. 8.75" x 12". Light dove-grey cloth with black-stamped design on front board, and black lettering to spine. Illustrated dj in acetate protector. "Lyonel Charles Feininger (1871-1956) was a German-American painter, and a leading exponent of Expressionism. He also worked as a caricaturist and comic strip artist. He started his career as a cartoonist in 1894 and met with much success in this area, and was a commercial caricaturist for 20 years for magazines and newspapers in the USA and Germany. At the age of 36, he started to work as a fine artist." 0.
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Seller's Description:
Very Good in Good jacket. Qto., xvi, 355 pages, 540 illustrations, 30 colour plates. There is one small ink stamp of the publisher on the front free end paper. Overall, a Very Good copy in a chipped dustjacet, which also has several small tears.
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Seller's Description:
Very good in very good dust jacket. Hans Hess, der Feininger persönlich gut gekannt hat, gelang mit dieser Monographie ein blendend dokumentiertes und vollständiges Bild von Feiningers Leben und Werk. Er schildert Feiningers Jugend in New York, seine Bedeutung als Karikaturist in Berlin, seine Entwicklung als Maler von seiner Pariser Zeit von 1906 über die Teilnahme am "Blauen Reiter" und die Bauhaus-Jahre in Weimar und Dessau, bis zu Feiningers später-in Deutschland fast gänzlich unbekannt gebliebenen-amerikanischen Periode. Die große Bedeutung dieses Werkes liegt in der unbeirrbaren und eindrucksvollen Interpretation des künstlerischen Schaffens von Feininger, einem der großen Maler in der Geschichte der modernen Kunst. Der VerfasserHans Hess war Direktor der City Art Gallery in York, England.
Great overview of Feiningers' work with some great insights. A" must have" for anyone studying his work or that period of 20th century art. An overlooked artist who was one of the greats that is starting to get the recognition he richly deserves. The scholarship is excellent and there is a catalog of all his paintings in the back. This book along with the book by Mossinger would give anyone studying this artist a good reference point to understand not only the paintings but the prints,watercolors and drawings and their relationship to each other. Too bad the Hess book does not have more color plates though a good representation from all periods.