American mezzo-soprano Lorraine Hunt Lieberson died in 2006, just three years after the performance of Bach's Cantata No. 199, "Mein Herze schwimmt in Blut" (My Heart Swims in Blood), BWV 199, heard here was recorded live with the Los Angeles Chamber Orchestra. Although one of the most highly regarded singers of her time, Hunt Lieberson did not leave a large recorded legacy. Live recordings of her are prized and have been trickling out since her death. This is a superb example. More known for Baroque opera than for Bach, ...
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American mezzo-soprano Lorraine Hunt Lieberson died in 2006, just three years after the performance of Bach's Cantata No. 199, "Mein Herze schwimmt in Blut" (My Heart Swims in Blood), BWV 199, heard here was recorded live with the Los Angeles Chamber Orchestra. Although one of the most highly regarded singers of her time, Hunt Lieberson did not leave a large recorded legacy. Live recordings of her are prized and have been trickling out since her death. This is a superb example. More known for Baroque opera than for Bach, Hunt Lieberson turned to Bach later in life, while she was suffering from the cancer that would eventually kill her. She took her operatic trademarks -- detailed, extremely sensitive response to the text and a great variety of unique vocal moves, including unusual tempo freedom, deployed in support of it -- and applied them to this darkest of Bach's solo cantatas, where the sufferings of the despondent sinner are relieved only at the very end by heavenly light. Even in rehearsals,...
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