"Clarke teaches us to think about how this art was understood and felt by those who lived with it in their daily lives and he speculates that it might even reflect what the Romans actually did. This is the first genuinely contextual and theoretically informed study we have of a vast panoply of classical art about sex. It will be an illuminating book for classicists, historians, and anybody else who finds lovemaking interesting."--Thomas Laqueur, author of "Making Sex" "There are few scholars as able to take on this ...
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"Clarke teaches us to think about how this art was understood and felt by those who lived with it in their daily lives and he speculates that it might even reflect what the Romans actually did. This is the first genuinely contextual and theoretically informed study we have of a vast panoply of classical art about sex. It will be an illuminating book for classicists, historians, and anybody else who finds lovemaking interesting."--Thomas Laqueur, author of "Making Sex" "There are few scholars as able to take on this material, as well versed in theories of sexuality, and as comfortable dealing with both heterosexual and homoerotic content as Clarke. The topic is timely and the execution is professional."--Natalie Kampen, Barnard College "This book should attract not only classicists, but also scholars of sexuality in any field. Clarke succeeds both in introducing little-known material and in defamiliarizing the familiar examples of erotic art."--Anthony Corbeill, University of Kansas ""Looking at Lovemaking" proves that the ancients were very different from you and me--that they saw sex not primarily as procreation and never as sin but rather as sport, art, and pleasure, an activity full of humor, tenderness and above all variety. John R. Clarke, by looking at Roman artifacts from several centuries destined to be used by different social classes, reveals that the erotic "visual" record is far more varied, open-minded and playful than are "written" moral strictures, which were narrowly formulated by the elite and for the elite. This book is at once discreet and bold--discreetly respectful of nuance and context, boldly clear in drawing the widest possible conclusions about the malleability of human behavior. Clarke has, with meticulous scholarship and a fresh approach, vindicated Foucault's revolutionary claims for the social construction of sexuality."--Edmund White, author of "The Beautiful Room is Empty"
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Book. Larger Octavo; VG/VG; black spine with white text; first printing; dust jacket exterior shows minimal wear; light edge wear; tape mend to head spine edge; head flap edge ape mended; cloth exterior has minimal wear; strong, straight boards; text block exterior edges have mild wear; circular moisture stain to rear endpaper and pastedown; small brownish spot to pp 182-183; otherwise interior good; illustrated; pp 372; atrs-Criticism. 1355584. FP New Rockville Stock.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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VG/VG, a couple of small tears at top of spine on DJ. Burgundy cloth boards, BW illustrated DJ. XVII, 372 pp. 107 BW illustrations, 16 color plates. What did sex mean to the ancient Romans? In this illustrated study, John R. Clarke investigates an assortment of Roman erotic art to answer this question-and along the way, he reveals a society quite different from that of modern day America. --Book jacket.
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Very Good. Binding solid, pages lightly toned but crisp and clean, no other markings found. Dust jacket bright and shiny with light rubs, scuffs and dents. Extremities lightly bumped with minimal tip wear. Ships within 24-48 hours via media mail.
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Near Fine in Very Good+ dust jacket. 0520200241. Very minor shelfwear. Gift inscription from author to half-title.; What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B. C. Through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.; 406 pages; Signed by Author.
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Very Fine in Very Fine jacket. 4to., 372pp. Beautiful First Edition, First Printing with full number sequence. Bound in maroon cloth with titles in gilt on spine. Illustrated. Square, tight and clean throughout with no discernible wear. Equally attractive unclipped, though unpriced, dust-jacket, is fresh and bright with no chipping, creases or tears. A gorgeous collectable copy and quite uncommon.
