"Looking Both Ways: Art of the Contemporary African Diaspora" considers the work of artists from North, South, East, and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom, and the United States. As its title indicates, "Looking Both Ways" refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions, and expressions. It examines the relationship ...
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"Looking Both Ways: Art of the Contemporary African Diaspora" considers the work of artists from North, South, East, and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom, and the United States. As its title indicates, "Looking Both Ways" refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions, and expressions. It examines the relationship between physical contexts, emotional geographies, ambition, and freedom of expression while focusing on the increasing globalization of the African Diaspora. "Looking Both Ways" is not a survey, but rather an intimate consideration of the work of twelve artists: Fernando Alvim, Ghada Amer, Oladªlª Bamgboyª, Allan deSouza, Kendell Geers, Moshekwa Langa, Hassan Musa, N'Dilo Mutima, Wangechi Mutu, Ingrid Mwangi, Zineb Sedira, and Yinka Shonibare.
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Seller's Description:
The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
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Seller's Description:
Very good(+) With color and b/w images throughout. 184 pages. 4to, pictorial wrappers. New York: Museum for African Art, (2003). A near fine copy but for slight bumping to upper corner of front cover and pages, minor wear to head, toning to page edges. Scarce.
