With a quiet eloquence, the poems in Long Walks in the Afternoon follow "the deep imagination's long tap into the dark"--inward toward the still and radiant center of the self. But Margaret Gibson's poetry is not self-serving or isolationist. She writes out of the firm conviction that our personal griefs held energies that can move is to reach beyond ourselves and join with others in common struggle. Beginning with poems that struggle against illusion, egotism, and emptiness, the collection progresses to poems that ...
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With a quiet eloquence, the poems in Long Walks in the Afternoon follow "the deep imagination's long tap into the dark"--inward toward the still and radiant center of the self. But Margaret Gibson's poetry is not self-serving or isolationist. She writes out of the firm conviction that our personal griefs held energies that can move is to reach beyond ourselves and join with others in common struggle. Beginning with poems that struggle against illusion, egotism, and emptiness, the collection progresses to poems that challenge violence--social violence against women, political violence in east Asia and Chilek and in "Radiation," the violence that still reverberates from the bombings of Hiroshima and Nagasaki: We made the scars and the radiant air. We made people invisible as numbers. We did this. In a final section, the desire to know and claim the self is transformed in a sequence of elegies into "the passion to lose myself in work" and in love and in the world--to be "no one." The meditative mood of Gibson's poems becomes a movement against isolation, a wrestle with our roots and common bonds, and a way of challenging the self to be more openly aligned with creative forces, and to speak out against dishonesty, injustice, chaos, and war.
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Seller's Description:
Good. 0807110183. Crisp, bright, clean pages; no owners' marks; spine square and uncreased. Soft cover shows some surface wear along the sides of the spine, a thumbnail crease at the left rear edge, and some sunning along the spine, otherwise clean and sound.
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Seller's Description:
Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
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Seller's Description:
Very Good in Very Good jacket. 8vo. 1st printing; dj w/small closed tear; 63 clean, unmarked pages...wtih the 1982 Compliments of the Academy of American Poetscard card laid in.
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Seller's Description:
Very Good in Fair jacket. Book Large octavo, hardcover, near fine in somewhat edgeworn brown and beige pictorial dj. The Lamont poetry selection 1982. compliments slip of The Academy of American Poets enclosed. 63pp. Blurbs by Howard Nemerov, and the American Poetry Review. Poems are directed inward toward the still and radiant center of self.
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Seller's Description:
Fine. Fine/hardcover. Complimentary copy from Academy of American Poets. Pages clean. Clean and solid cover. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.