In the twenty-first century, even those who do not know Lizzie Siddal's name will recognize her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice in two of the nineteenth century's most famous paintings. As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal's fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal. ...
Read More
In the twenty-first century, even those who do not know Lizzie Siddal's name will recognize her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice in two of the nineteenth century's most famous paintings. As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal's fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal. A pivotal figure in London's artistic world of the mid-nineteenth century, Lizzie's short life ended in a delirium of opium. In this, the first full work devoted solely to Lizzie--her austere beginnings, quick rise to fame, and tragic end--Hawksley brings together the worlds of art and literature with style and verve. Lizzie Siddal was not merely the Pre-Raphaelites' obsession and muse, she was a talented poet and artist in her own right. Her tragic and haunting life story serves as a cautionary tale, offering many parallels to the modern-day world of art, fashion, beauty, and our obsession with what we hold to be the ideal.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine. 1st US edition, 1st printing 2006. Slight rubbing to edges of dust-jacket, now protected using removable clear wrap, otherwise in excellent condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Ex-library hardcover with stickers and labels but otherwise appears only lightly used. The dust jacket is protected with a mylar covering. All items ship Monday-Saturday-Fast Shipping in a secure package. Your purchase will help support the programs and collections of the Johnson County (Kansas) Library.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good Good jacket. First US edition. Jacket in Good condition minor tear on corner front cover. No markings. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Fri.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
LIKE NEW. Publisher â: â Walker Books; 1st US edition (August 22, 2006) Language â: â English HARDBOUND â: â 230 pages ISBN-10 â: â 0802715508 ISBN-13 â: â 978-0802715500 Item Weight â: â 1.15 pounds Dimensions â: â 6.34 x 0.91 x 9.55 inches. In the twenty-first century, even those who do not know Lizzie Siddal's name will recognize her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice in two of the nineteenth century's most famous paintings. As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal's fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal.