Literary critics often pursue analyses of music or painting and literature as 'sister arts', yet this was the first full-length study of the treatment of social dance in literature. A vital part of social life and courtship with its own symbolism, dance in the nineteenth century was a natural point of interest for novelists writing about these topics; and indeed ballroom scenes could themselves be used to further courtship narratives or illustrate other significant encounters. Including analyses of works by Jane Austen, W. ...
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Literary critics often pursue analyses of music or painting and literature as 'sister arts', yet this was the first full-length study of the treatment of social dance in literature. A vital part of social life and courtship with its own symbolism, dance in the nineteenth century was a natural point of interest for novelists writing about these topics; and indeed ballroom scenes could themselves be used to further courtship narratives or illustrate other significant encounters. Including analyses of works by Jane Austen, W. M. Thackeray, George Eliot and Anthony Trollope, as well as extensive material from nineteenth-century dance manuals, Cheryl A. Wilson shows how dance provided a vehicle through which writers could convey social commentary and cultural critique on issues such as gender, social mobility and nationalism.
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New. Trade paperback (US). 220 p. Cambridge Studies in Nineteenth-Century Literature and Culture . Worked examples or Exercises. Intended for professional and scholarly audience. Intended for college/higher education audience.
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New. 220 p. Cambridge Studies in Nineteenth-Century Literature and Culture . Intended for college/higher education audience. Intended for professional and scholarly audience.
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New. Trade paperback (US). Contains: Unspecified. Cambridge Studies in Nineteenth-Century Literature and Culture . Includes unspecified. Intended for professional and scholarly audience.
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