Fantasie & Fuge über das Thema B-A-C-H, for piano, S. 529/2 (LW A250/2)
Liebesträum, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3)
Weinen, Klagen, Sorgen, Zagen, prelude for piano, S. 179 (LW A198) (after J. S. Bach)
Prédication aux oiseaux de St.-François d'Assise, arrangement for organ (after Liszt)
Fantasie & Fuge über den Choral "Ad nos, ad salutarem undam", for organ, S. 259 (LW E1)
Olivier Latry is organist titulaire at Notre-Dame Cathedral in Paris, and he has responded creatively to the destruction of its organ by fire in 2019 with a series of imaginative releases. None is finer than Liszt: Inspirations, which applies the 6,055 pipes and 91 stops of the new Rieger organ at the Philharmonie de Paris Concert Hall to Liszt's rather neglected organ music. There are technical details here that will be of interest to organists and those who love them; for the general listener, this is a real thrill. The ...
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Olivier Latry is organist titulaire at Notre-Dame Cathedral in Paris, and he has responded creatively to the destruction of its organ by fire in 2019 with a series of imaginative releases. None is finer than Liszt: Inspirations, which applies the 6,055 pipes and 91 stops of the new Rieger organ at the Philharmonie de Paris Concert Hall to Liszt's rather neglected organ music. There are technical details here that will be of interest to organists and those who love them; for the general listener, this is a real thrill. The big works in the Bachian genres of Fantasia and Fugue and chorale variation are impressive enough, with the arcane realms the organ enters in the nearly 30-minute Fantasia and Fugue on the Chorale Ad nos, ad salutarem undam (try the Un poco più de moto section) having a spooky, futuristic feel. None of this music is terribly commonly heard, and Saint François d'Assise: La prédication aux oiseaux, an orchestral work transcribed by Saint-Saëns, is a real revelation; Latry...
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