Some 15 years ago Cartier-Bresson decided to lay down the Leica and return to his first love painting and drawing to which he brings the same magic that infused his famous photographs. The foreword by John Russell (chief art critic, The New York Times ) and introduction by Jean Clair (curator of dra
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Some 15 years ago Cartier-Bresson decided to lay down the Leica and return to his first love painting and drawing to which he brings the same magic that infused his famous photographs. The foreword by John Russell (chief art critic, The New York Times ) and introduction by Jean Clair (curator of dra
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Seller's Description:
Good. Sewn binding. Paper over boards. 97 p. Painters & Sculptors. Ex-library with associated labels. No dustjacket. Some fading to cover & line mark at top edges. Marks to textblock edges/endpapers & clipping. Section cut from bottom of front endpaper, clipping from dustjacket stapled in & scuffed area on title page. Content very good.
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Seller's Description:
Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can included some highlighting and writing page and cover creases as well as other types visible wear.
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Seller's Description:
Good in Good jacket. Ex-Library. 4to-over 9¾"-12" tall. Jacket is in brodart, light wear. Boards have light wear. Usual library/discard markings. Pages are clean, text has no markings, binding is sound. Jacket is in brodart, light wear. Boards have light wear. Usual library/discard markings. Pages are clean, text has no markings, binding is sound.
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Seller's Description:
Square 4to, pp. 97. Foreword by John Russell, introduction by Jean Clair. With 65 reproductions, 9 in color and 56 in duotone. A nice copy in slightly scuffed and soiled dj.