Dabney Stuart's subject over the last thirty years are as disparate as the forms he chooses for them. His range includes baseball (and other games), geography, the movies, history, sideshows, domestic life--a world, in short, that is rich and various. Amid this exploration, Stuart has sustained certain concerns. The evasive and unsettling nature of family relationships threads consistently through the poems collected in Light Years; the poet uncovers deepening emotional and psychological complexities. There are ...
Read More
Dabney Stuart's subject over the last thirty years are as disparate as the forms he chooses for them. His range includes baseball (and other games), geography, the movies, history, sideshows, domestic life--a world, in short, that is rich and various. Amid this exploration, Stuart has sustained certain concerns. The evasive and unsettling nature of family relationships threads consistently through the poems collected in Light Years; the poet uncovers deepening emotional and psychological complexities. There are celebrations of his children, his own sonship, his grandparents and grandchildren. Through it all as he says in "The Opposite Field," the haunting image / of [a] possible life / watches from a distance." Stuart rings evocative changes on recurrent image patterns, too. Birds are central to his work, for instance, and sing often; water flows frequently; music sounds in places as apparently incongruous as a row of cornstalks. Dreams, and dreaming, inform many poems, their precision of detail becoming part of the sharply observed physical world Stuart renders. Whatever else he is up to, Stuart always seeks the play in language, a source of delight and solace even in the most unlikely context. Indeed, as he writes in "Coming To," When he listens to his words play back, they shimmer oddly, on edge--a stranger talking-- as if they have gone through something he has no other knowledge of and brought it back: his life.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine in Fine jacket. First edition. Topedge very lightly foxed else fine in fine dust jacket. Not marked, but from the library of former Poet Laureate and Poe scholar Daniel Hoffman, with a carbon copy of a Typed Letter (not signed) from Hoffman to Stuart, praising the book, laid in. Author's complimentary copy with a slip from LSU Press also laid in.