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Seller's Description:
Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1050grams, ISBN: 026213246X.
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Fair. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!
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Used-Good. Robert Mark plumbs the mystery of the great buildings of ancient Rome, the High Gothic era, and the Renaissance, revealing the astonishing depth of knowledge the ancient builders possessed. His findings provide a stronger technological focus for architectural history and a basis for more rational criticism of contemporary design. Book has minor shelf wear. Out of print.
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UsedVeryGood. Hardcover; light fading, light shelf wear to exterior; remainder mark on lo wer page edge; otherwise in very good condition with clean text, firm bindi ng. Dust jacket, light fading, two small tears at top of spine.
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Used-Very Good. The Sydney Opera House, with its vast cost overruns and its years of delay, is a glaring example of misbegotten notions of structural honesty. MIT's Kresge Auditorium was conceived for visual effect without regard for technological flaws that arose from the misapplied criteria of form-follows function and forced its closing for more than a year. And in the building of Boston's John Hancock Tower, structural imperatives, were literally thrown to the winds. These are just a few of the eases in which the role of technology in the design of a large scale building has been either neglected or confused. In this book Robert Mark shows how an understanding of the technology of historical architecture can illuminate, even help eliminate, such costly misconceptions. Mark focuses on three eras-ancient Rome, the era of structural experimentation in High Gothic architecture, and the time of the great Renaissance domes-that have had lasting impacts on architectural planning. He makes full use of sophisticated computer modeling to gain new insights into early design methods insights that allow him to reinterpret technological precedents that are often misunderstood in contemporary architecture. Mark's provocative findings provide a stronger technological focus for architectural history and a basis for more rational criticism of contemporary design. Robert Mark Professor of Architecture and Civil Engineering at Princeton University, is the author of 'Experiments in Gothic Structure. 'Much of the work covered in 'Light, Wind, and Structure 'served as the basis for the Nova/WGBH television program 'The Mystery of the Master Builders. ' The book is included in the Sloan New Liberal Arts Series.