In a profound summation of human behavior that builds suspensefully, du Gard tells the story of Maumort, a contemplative soldier who aspires to free himself from dogma and prejudice, only to find himself overwhelmed by his own contradictions.
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In a profound summation of human behavior that builds suspensefully, du Gard tells the story of Maumort, a contemplative soldier who aspires to free himself from dogma and prejudice, only to find himself overwhelmed by his own contradictions.
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Seller's Description:
Very Good in Very Good jacket. Size: 7x2x9; Minor shelf wear to binding. Light wear & soiling on edges of text block. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover.
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Seller's Description:
Near Fine in Near Fine dust jacket. 067943397X. Translated from the French by Luc Brebion and Timothy Crouse. First American edition. Near fine in a near fine dust jacket.
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Seller's Description:
New York. 2000. January 2000. Knopf. 1st American Edition. Very Good in Dustjacket. 067943397x. Translated from the French by Luc Brebion and Timothy Crouse. 781 pages. hardcover. Front-of-jacket montage by Marc Yankus. Jacket design by Carol Devine Carson. keywords: Literature France Translated. FROM THE PUBLISHER-Written over the final eighteen years of his life and intended to be read only posthumously, this tremendous creation sprang from the writer's unflinching examination of the conundrum of our moral ambivalence: why, knowing what is right, do people do wrong? Martin du Gard's complex response constitutes one of the most devastating critiques of human behavior ever produced. The author casts his reflections in the form of a memoir written by Bertrand de Maumort, an aristocrat, a soldier, an intellectual--ostensibly the very flower of European culture at its zenith. Born in 1870, Maumort grows up in a chateau where a series of enlightened tutors tend to his education. Later, while preparing to enter the French military academy, he lives with his Uncle Eric, a powerful academic whose Sunday at-homes attract such luminaries as Renan, Turgenev, Daudet, and Pasteur. Keenly aware of his advantages, Maumort aspires to self-knowledge and a transcendent objectivity in his relations with the world. But as he describes his progress through life--his early childhood, his experiences in the sexual hothouse of a Catholic boarding school, his affair with the beautiful Creole Doudou, his failed marriage to a sweet but adamantly conventional bourgeoise, his service in Morocco under the legendary colonialist General Lyautey, his participation in the First World War, and the occupation of his beloved chateau by German troops in the Second--he unwittingly betrays an underside: his prejudices, self-deceptions, and moral lapses. Through his portrayal of Maumort and a fascinating array of secondary characters, Martin du Gard dissects mankind in general, and calls into question whether true civilization, much less human progress, exists at all. inventory #10968.