The author, Edna Worthley Underwood, tells us that these letters are genuine, that they are the result of an acquaintance curiously begun over a hotel telephone with a famous artist who was attracted by the quality of her laugh. For this reason they relate very largely to artistic subjects. The art of letter-writing, it seems, is not quite dead. It has seemed to be. It is true that most of these letters are too short, but that is doubtless a concession to the spirit of the age. Let us hope at least that they were not ...
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The author, Edna Worthley Underwood, tells us that these letters are genuine, that they are the result of an acquaintance curiously begun over a hotel telephone with a famous artist who was attracted by the quality of her laugh. For this reason they relate very largely to artistic subjects. The art of letter-writing, it seems, is not quite dead. It has seemed to be. It is true that most of these letters are too short, but that is doubtless a concession to the spirit of the age. Let us hope at least that they were not typewritten. - The Argonaut , Vol. 84
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Seller's Description:
8vo, pp. 165. Orange paper over boards printed in black, cloth spine. Front hinge beginning tender, cover worn at edges, two-inch tear at bottom of spine in front, o/w VG.
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Seller's Description:
Acceptable. First edition copy. Collectible-Acceptable. Book Good. No dust jacket. Slight dampstaining to the boards. (letters, correspondence, victorian)
