The letters of Lady Duff Gordon are an introduction to her in person. She wrote as she talked, and that is not always the note of private correspondence, the pen being such an official instrument. Readers growing familiar with her voice will soon have assurance that, addressing the public, she would not have blotted a passage or affected a tone for the applause of all Europe. Yet she could own to a liking for flattery, and say of the consequent vanity, that an insensibility to it is inhuman. Her humour was a mouthpiece of ...
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The letters of Lady Duff Gordon are an introduction to her in person. She wrote as she talked, and that is not always the note of private correspondence, the pen being such an official instrument. Readers growing familiar with her voice will soon have assurance that, addressing the public, she would not have blotted a passage or affected a tone for the applause of all Europe. Yet she could own to a liking for flattery, and say of the consequent vanity, that an insensibility to it is inhuman. Her humour was a mouthpiece of nature. She inherited from her father the judicial mind, and her fine conscience brought it to bear on herself as well as on the world, so that she would ask, 'Are we so much better?' when someone supremely erratic was dangled before the popular eye. She had not studied her Goethe to no purpose. Nor did the very ridiculous creature who is commonly the outcast of all compassion miss having the tolerant word from her, however much she might be of necessity in the laugh, for Moliere also was of her repertory. Hers was the charity which is perceptive and embracing: we may feel certain that she was never a dupe of the poor souls, Christian and Muslim, whose tales of simple misery or injustice moved her to friendly service."
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Seller's Description:
Very good. Illustrated. 385pp. 8vo, red cloth, a bit faded. London: Routledge & Kegan Paul, (1969). A very good copy. Enlarged centenary edition with introduction by Gordon Waterfield.
